Live
Redfaces / Retro Video Club / BlackWaters
The Hope & Ruin, Brighton
October 23 2018
Words/Pictures: Steve Willcox
The Third Wheel Tour. An innovative concept taking three acts and putting them out on the road together, with each shining their respective headliner light in their own part of the country. So, we have, BlackWaters repping their original southern territory of Surrey (before decamping to Sheffield), Redfaces putting the Midlands on the map, and Retro Video Club waving the flag for those north of the border. Well, that was the plan at least, but tonight on the South Coast in Brighton, a bit of wheeling and dealing backstage sees Redfaces headlining.
Always a good live band, BlackWaters' frontman Max Tanner gets straight down to business launching iimmediately into ‘Fuck Yeah’, taking the standing audience by surprise, so by the time it ends most are still just starting to find their dancing feet. Luckily the energy continues as ‘Pick Me Up’ does what it says on the tin, delivering its musical punk narrative as the boys go full metal jacket into the fray,with Max almost electrocuting guitar player David Carpenter by attempting to pour water over his head during a vocal respite.
Recently highlighted in Little Indie's Sing & Tell feature, Retro Video Club have been commanding a mini media buzz. These boys from Edinburgh have been together for 2.5yrs with a year hiatus in between, but are selling out 700 capacity venues back home. This show is just their third ever gig in England, so tonight’s a baptism of fire.
Redfaces from Sheffield are the main act tonight. Looking as these young indie pop lads take to the stage, there may have been an initial wariness for those unfamiliar with them about whether they could hold a crowd and have the requisite sass to pull it off. But if there were any doubts these were dispelled right from opening number ‘Getting Away With It’, and it's not long before the crowd are surging forwards to hear current single ‘Messed Up Feeling’, as singer Harry Lyon’s crisp clean vocals and Charlie Yapp's pulsating drums fill the room.
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