Credit: Hannah Johns
Live
SPINN
Arts Club, Liverpool
April 6 2018
Words: Jane Davies
Pictures: Hannah Johns, Jane Davies
What a difference a year makes. In twelve short months, SPINN have graduated from an early doors slot at a local festival, to headlining and selling out the Arts Club in Liverpool. Along the way, their jangly pop rhythms having won favour on releases such as 'She Takes Her Time', 'Who You Are' and 'After Dark'.
Credit: Hannah Johns
And if there was a text book guide on what being the perfect frontman entails, then SPINN's Johnny Quinn must have been studying its rules damned hard. Not that it appears so; from the minute the self-confessed connoisseurs of jangly dreampop stride on stage to the strains of Robbie Williams' ‘Rock DJ’, both JQ (bedecked in Breton tee - a short-sleeved variant also worn by drummer Louis - and skinny jeans) and his fellow comrades-in-instruments - the aforementioned Louis O'Reilly, Andy Power on lead guitar, and Sean McLachlan on bass - demonstrate the poise and professionalism of much longer established bands on the circuit.
Credit: Hannah Johns
Credit: Jane Davies
Credit: Hannah Johns
Tonight was also the second live airing (after their London show the previous week) for new song ‘Boredom’ which created anything but, with a sea of bobbing heads and waving arms carried through its shiny guitar ambience. First single 'Green Eyes', exuding Smiths-esque qualities, was accompanied by Johnny's interpretation of Morrissey style dancing - perhaps no surprise given that the Smiths are one of the band’s main influences.
Credit: Jane Davies
As the duelling guitars of the "little pop tune" 'After Dark' give way to latest single, the upbeat and breezy 'Who You Are' - "a love letter to all the posers of the world" - there comes arguably the standout song of the set (if you could narrow it down, which was hard), ‘Notice Me’. One of their earliest singles, it is one that is obviously a fan favourite, bringing the room out in full voice as they sang along to it's lines: "And you keep me grounded / But you make me feel so high / And you bring me down to earth / but I don't know how or why..."
Credit: Hannah Johns
Coming towards the end of the set, a bottle of bubbly appears on stage from which the frontman proceeds to take lengthy swigs before offering it to his proud mum on the front row. A lovely gesture, and nice to also see a parent up there at the front enjoying the music and getting into the spirit instead of hiding at the back of the venue at the bar area. Well done, mum Quinn.
Credit: Hannah Johns
After both singing and swigging and swaying for a while, as the band's final offering of the evening, ‘November’, got underway, Johnny debates whether he should head to the bar for another drink. This was a signal that he was about to go walk about or more precisely surf about. Gently he was launched into the crowd and calmly passed forward over a sea of willing helpers.
Credit: Hannah Johns
There were no dramas or overzealous security as he enjoyed his little trip. As the band played on, undeterred, and as Louis' starring lengthy drum solo moment drew to an end, so too did the evening’s proceedings. Bringing to a close what was a gig to be fĂȘted as possibly their finest performance so far.
Credit: Hannah Johns
Such a right on review. I was there and they were sick. Best band by far from the pool.
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